"COLOUR IS NOT INTENDED TO DESCRIBE BUT TO EVOKE." -LE CORBUSIER

Oklahoma is derived from the Choctaw Indian words "okla" meaning people and "humma" meaning red. Oklahoma is my home. Tinctoria is Latin, meaning to dye or color things; this is my work.

Showing posts with label color for thought. Show all posts
Showing posts with label color for thought. Show all posts

20 August 2010

Westbound Color



Ghost Ranch, Abiqu, New Mexico, 2010.

We arrived safely home by the grace of good luck by midnight on Friday 13th August. We were greeted by a slap of intense heat, no rain for over six weeks and counting, and our warm fuzzy dog and cat. Here's a small sampling of collected colors along the way. 

Sonoma Coast Beach,
California, 2010.

Madrone Bark,
Oregon, 2010.

Being my first adventure to California, our journey west is a cherished experience. We drove through multiple sections of New Mexico, Utah, Nevada, California, Oregon, and Colorado, arriving back into Oklahoma through the panhandle.

Northern California
Coastal Vegetation, 2010.

Eucalyptus Bark detail, 2010.

We had glimpses and long observations of wild horses, pronghorn, wild burros, fox, bald eagles, harbor seals, and jackrabbits. The spirits of the Redwood Forests have come home with us.

We were fell asleep to the sound of the ocean, hypnotically being pulled in, savoring the smell of the salty air. In Nevada we saw a FULL DOUBLE rainbow after an early morning storm. A few nights were hosted by generous friends. The mornings were chilly, the food delicious.

Wildflowers at Rabbit
Ear's Pass, Colorado, 2010.

Complementary Grass, 2010.


Poison Oak,
Coastal California, 2010.

I filled 37 quart jars with botanicals, most of which will never be found in Oklahoma, but they were of great abundance in their coastal and mountain homes.

Funky Botanics,
San Francisco Botanical
Garden, 2010.

Open Gifts, Northern California, 2010.

09 May 2010

Colors of "Cuties"

Chicago Clementines, 2008.


Orange is synonymous with citrus fruits. In full hue Orange is loud. It reigns in our attention. Yet, more somber orange colors are sad and dull. Lighter values of Orange, although brilliant in hue, make lovely peaches and they are a very sweet color. The many earthy Orange colors, such as terra cotta, are associated with harvest and represent balanced, calm, stable environments.

Owen's Door, 2009.

Ludgate Farms, Ithaca, 2009.

Pine Bark Detail,
 Cemetery, Gloucester, MA, 2009.

Orange is the second longest wavelength in the light spectrum. Two primary colors, Red and Yellow are combined to make Orange, one of three secondary colors in the standard color wheel. The shape for Orange is the trapezoid; Red is a square, Yellow is a triangle, combined they form a trapezoid.

Energyscape #6959, 2009.

Orange is the color of the second chakra, the Sacral or Belly chakra, the center of the body that holds emotions. Activating the center, Orange sets the center into action. The belly chakra has layers of energy associated with stimulating emotions, impressions, sexuality and fertility. The Feng Shui element for Orange is fire.

Energyscape #1272, 2009.

In China vermilion, a bright red pigment, was produced by heating mercury and sulphur to form Mercuric sulphide. Although toxic to produce, natural cinnabar was even more expensive to obtain and less reliable as a color than vermilion (McCloud, p.36). Vermilion continued to be used throughout the Middle Ages but is no longer used in artist materials due to its toxicity. Arsenic trisulphide (yellow) is extremely poisonous but in ancient times these two compounds were combined, making Oranges hues.

Unidentified Mushroom, Cemetery, 
Gloucester, MA, 2009.

Traditional Orange pigments are various ochres and cadmiums. Orange-red can even be obtained by dyeing with Cortinarious species mushrooms (Rice, p.23). Other natural Orange colors are traditionally derived from Rubia tinctoria, madder root, and Thelesperma gracile, known as kota tea or Navajo tea, used by Native American natural dyers. Orange can also be achieved by the combination of other yellow and red natural dyes.

Lichens on Rock,
Buffalo River, Arkansas, 2009.

descriptive words for orange:
activity, radiant, proud, external, fun, whimsical, glowing, friendly, energizing, fruity, expansive, tangy, maximum, abundant, luscious, sexy, juicy, safety, hazardous, warning, playful.

Cooper-Hewitt
National Design Museum,
NYC, 2009.

Staten Island Ferry, 2009.

orange inspirations:
oranges, pumpkins, apricots, tangerines, mandarins, clementines, annatto, terra cotta pots, bricks, firelight, sunsets, harvest, peaches, nectarines, coral, mangoes, persimmons, butternut squash, nasturtiums, butterfly weed (Asclepias tuberosa), autumn leaves, rust, iron, sweet potatoes, marigolds, poisonous Amanitaceae family mushrooms, Northern Oriole (Icterus galbula), marmalade, Halloween, lava.

Iris, Chalet Garden, 2009.

orange represents:
Orange is the sacred color of Buddhist religion for their “saffron robes”,  representing fire and the burning of the ego and personal desire. Orange also represents cultural traditions, self assurance, self respect, safety or hazard, road signs, construction, happiness, vitality, heat, life force, strength, clear mind, sociability, liveliness, motivation, passion, and it is good for learning environments.

Clevia Blooms, 2009.

Bibliography/Oklahoma Tinctoria Library Thing:
Bryan, Nonabah G., Young, Stella. Navajo Native Dyes: Their Preparation and Use. Dover, Mineola, 2002 (originally published 1978).
McCloud, Kevin. Kevin McCloud's Complete Book of Paint and Decorative Techniques. Simon & Schuster, New York, 1996. 

Rice, Miriam. Mushrooms for Color. Mad River Press, Eureka, 1980.


Learn about Orioles: http://www.orioles.org/

24 February 2010

COLOR FOR THOUGHT

COLOR FOR THOUGHT: REINTRODUCING NATURAL DYES

Natural Dyestuffs, 2009

“The only way to preserve tradition is to allow it to evolve.”
Yo Yo Ma, The Silk Road

Natural color is about process. Process is about performing “a series of mechanical or chemical operations in order to change or preserve” (Oxford American College Dictionary). When it comes to natural color, the processes of collecting, chopping, grinding, heating, extracting, cooling, and straining can be very involved and tedious. Whether extracting from natural bulk materials or utilizing already prepared natural dye extracts the mystery of alchemy persists when using natural dyes. 

What is it that keeps natural dyers continually returning to the same dye pots and extracting from the same plants over and over, searching for new discoveries? There are three things: color, materials and stories. All of these are steeped in centuries and centuries of human history, revolving around culture and cloth.

There are many definitions of  “natural”. I am not interested in arguing the finer points of what is and what is not natural. You must consider your own personal guidelines for a healthy life and decide if your community or country share those same guidelines. But, I am interested in the richness of the colors produced from a complex process of extraction that leaves the dyer in awe of beauty at the end of each dye pot. Why do natural colors proliferate despite the secrets being locked away or almost lost completely? There has certainly been a resurgence of natural colors in the market place and their use amongst artisans has increased. These dyes are being studied in many academic fields, including anthropology, chemistry, botany, horticulture, history, economics and textiles. There is a transformation that takes place, an alchemic reaction between dyestuff and dyer that keeps us coming back to these naturally beautiful substances.

Natural colors are derived from three elements: Plants, Insects, Minerals.

Energyscape Series #3332, 2009.

The following are some natural color for thought.

NATURAL COLORS CAN BE FOUND IN:
1. Leaves
2. Roots 
3. Barks
4. Fruit Pods and Skins
5. Bulb Skins
6. Stems
7. Flowers
8. Insects
9. Mushrooms
10. Lichens
11. Mollusks
12. Earth
13. Minerals

QUESTIONS TO ASK BEFORE ATTEMPTING TO COLLECT DYE MATERIAL:
1. What is the identification of the material being collected?
2. What is the habitat of the natural material?
3. What are the growing habits of the natural material?
4. How is it classified? Is it a weed? Is it endangered?
5. Is it abundant? Is it scarce?
6. Is the natural material wild collected or is it cultivated?
7. Should you acquire permission to collect the material?
8. Is the collection process being performed in a sustainable manner?
9. Is the natural material native or exotic?
10. Is the source organic or has it been treated with agricultural chemicals?
11. Can you grow it in your garden?
12. Can you grow it and share it with other gardener friends?

IMPORTANT THINGS TO KNOW ABOUT NATURAL DYES:
1. They can be light fast.
2. They can be wash fast.
3. The colors can be reproduced.
4. They can be made into a dye bath or...
5. They can be painted.

WHY USE NATURAL DYES?
1. CHOICE: from the love of process and respect for ecology.
2. LIFE PHILOSOPHY: integrating natural color with other healthy lifestyle choices like food, activity and medicine. 
3. STORIES: natural color tells stories about the grower to the harvester to the  processor, the spinner, the dyer, the weaver, the artist.
4. PLACE: natural color relates to place and marks a sense of time.
5. SERENDIPITY: the process and the results are beneficial whether expected or not.
6. COMPLEX COLOR: there are a cast of colors from a single natural dye because there are multiple dye molecules. Hence, the absorption of light varies, illuminating a complex palette of color.
7. PRESERVATION: of process, knowledge, techniques and methods including agriculture, traditional land use, food, medicine.
8. BEAUTY: natural colors are exquisite!
9.  AWARENESS: using natural colors promotes understanding  of  environment, available resources and preservation. 
10. EXTENSIVE COLOR PALETTE: natural colors offer a complete range like that of a prism.
11. DIVERSITY: resources are abundant and versatile.
12. AGES WELL: natural colors often mellow or deepen with age but remain pleasing.
13. AROMATIC: while “brewing” many dyestuffs have an aromatic quality.
14. ALIVE: natural color resources are alive, the colors are alive and complicated.
15. DIALOG: natural colors encourage conversations that can relate to many topics such as politics, agriculture, art, craft, history: the exchange of knowledge.
16. RENEWABLE: if harvested and used responsibly natural color resources are sustainable. 
17. SYMPHONY: process and product come together to form a beautiful whole.

Energyscape Series #1309, 2009.

Without light there is no color.